Press Area
Dear editor,
Welcome to the press pages of the Pinakothek der Moderne. Here we provide you with text and image material for current reporting.
Please note: All images may only be used free of charge and without permission in the course of current reporting on the exhibitions (according to § 50 UrhG) from 3 months before the start of the exhibition and up to 6 weeks after the end of the exhibition and with full credit information. The images may only be published unchanged and without trimming or overprinting.
FLUX
The Pinakothek der Moderne is to gain another attraction – Flux! Together with the Stiftung Pinakothek der Moderne, the four museums at the Pinakothek der Moderne will be creating an exceptional common space offering gastronomic facilities and cultural events. It will operate for the next five years from the end of June 2025 onwards and […]
Details
Trees, Time Architecture
13 MARCH 2025–14 SEPTEMBER 2025 | MEDIA CONFERENCE: 12 MARCH 2025, 11.00 A.M. OPENING: 12 MARCH 2025, 7.00 P.M.| Trees are among the largest, oldest, and most complex living organisms on Earth, and they also grow exceptionally slowly – often taking decades or even centuries to reach their full size. This means they exceed human […]
Details
Ausstellungsvorschau 2025
You can download all images from the press preview below. If you require the images in a higher resolution or have any questions, please contact presse@pinakothek-der-moderne.de.
Details
Paula Scher – Type is image
23 JUNE 2023 – 21 SEPTEMBER 2025 MEDIA CONFERENCE ATTENDED BY PAULA SCHER: 22 JUNE 2023, 11.00 OPENING ATTENDED BY PAULA SCHER: 22 JUNE 2023, 19.00 LOCATION: PINAKOTHEK DER MODERNE, PATERNOSTERHALLE With “Paula Scher – Type is Image” Die Neue Sammlung – The Design Museum is showing the first solo exhibition by the American graphic […]
Details
„DESIGN INKLUSIV ERLEBEN“
Mit einem barrierefreien Programm, das analoge und digitale Vermittlungsebenen miteinander verzahnt, öffnet sich Die Neue Sammlung – The Design Museum einem erweiterten Besucher:innenkreis und aktualisiert damit ihren gesellschaftlichen Auftrag: Gute Gestaltung allen Menschen zugänglich machen. Wir freuen uns über Ihre Berichterstattung. | We look forward to your coverage. Bei Fragen wenden Sie sich bitte an PRESSE@PINAKOTHEK.DE.
Details
Gerhard Richter
02.05.2025 – 22.06.2025 | The artist’s studio was left open, his painting oeuvre was closed. In the remoteness of his studio, Gerhard Richter now created drawings that he subjected to his self-imposed maxim: “The most fundamental, the hardest thing is to make something that is good.” This is especially true for drawings because every pentimento, […]
Details
MINDFUL MINING
15.03.2025 – 21.04.2025 | The exhibition title „Mindful Mining“ is a metaphor for the creation of a world of its own. Designing artistically means discovering something in nature or in the everyday environment that you usually pay little attention to and then give it a new meaning. The young artists at Kookmin University do nothing […]
Details
WARWICK FREEMAN
15.03.2025 – 15.06.2025 | Warwick Freeman’s emblematic jewelry pursues meaning. Across five decades the New Zealand jeweller has built a lexicon of signs: from the cultural symbolism of the hook and the star to the heart redrawn in the volcanic scoria of Rangitoto island. When worn, his jewelry communicates something of who we are and […]
Details
THE HUMAN BEING IN VIEW
23.01.2025 – 13.04.2025 | One of the greatest achievements of the early modern era in art, alongside the perceptual concept of central perspective, was undoubtedly the rediscovery of the human being as a self-determined individual made of flesh and blood. This rediscovery was not an isolated event, but a process of constant and intense observation […]
Details
Ngozi-Omeje Ezema – BOUNDLESS VASES
04.12.2024 – 11.05.2025 | Die Neue Sammlung is proud to present an installation by Ngozi-Omeje Ezema (born 1979), the first of its kind in Germany. The Nigerian ceramic artist represents a new generation of African artists who are transposing an ancient traditional art form into the present and thus questioning long-standing notions that confine ceramics […]
Details